These fashion pieces which made me go: "Oh, This is so me!"
I grabbed this skirt soon as I saw it when I was in Minimal store at Rumah Mode though, I know that it's seemed impossible for a hijabi to wear such knee-length skirt. I fell in love with its black polyester fabric, moreover.. it has these embellishments detail on its waist. Instant L.O.V.E. I tried it on with a black long trousers and a simple shirt. Imagining that the outfit would fit well if I worked at a fashion magazine. If I could find black polyester fabric, I would like to make one too but with a longer length.    

Then again, I am attracted to a jeweled cloth just at a glimpse. It's the Jewel Digital Print Tee from Topshop. This shirt has an opulent photo print that glams up an oversized tee. I've always liked these kind of jersey tee because it's really comfortable to wear and it's nice to paired up with most of any kind of outers such as blazers, cardigans, or jean jackets. 
Prada A/W 13 - "Some silhouettes and fabrics we recognized. Same with shoes (particularly the lug sole). The appetite for decoration signposted a signature Mrs. P herself defined as "a mix of rich and poor". Her collection proved the power of the dress as an accessory to a life. "Through cloth, you can really make movies," the designer conceded. The music from Betty Blue was on the soundtrack as an aural cue: fixation with beauty, romanticism run riot. "I'm obsessed with impossibilities," she continued. "Romanticism is forbidden. It's not 'modern.'" Tell that to David Lynch, or Alfred Hitchcock, or any of those filmic geniuses who stepped outside the "modern" to delve into the truly timeless with their celluloid paeans to those lost souls who sacrifice everything for obsession. And that's where Miuccia Prada went today (21/02/2013). If fashion is ultimately an emotion, she pinned it to the wall for good and all." -Tim Blanks on Review

"Makeup artist Pat McGrath fleshed out the story line a bit more. "We were obsessed with the contrast of rich and poor," she said, stressing the word "undone" when describing the beautiful burgundy-stained mouths she was drawing in darker toward the center of models' lips and then diffusing outward with a clear balm. "It's the shadow of formerly amazing makeup," she continued of what were essentially traces of pigment, including a gray tone on lids, that were used to mimic the animated shadows of tiny-waisted women (and cats) that had been projected onto the walls of Mrs. Prada's runway. When asked about the growing prevalence of slate and asphalt smoky shadows this season, instead of more standard black incarnations, McGrath admitted that they're not the easiest colors to wear. "It needs to be transparent to give it more depth," she said, adding a greasy shine with "tons" of Elizabeth Arden Eight Hour Cream as well as multiple licks of mascara on top and bottom lashes." - Celia Ellenberg on Review

The look worn by Hanne Gaby and that stained mouth is winning over me. Enough said. 

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